Footprints

Footprints© Catherine Redmayne
Footprints
© Catherine Redmayne

A mixed media picture with depth and colour. Vague enough to find different subjects as you catch sight of it. Image size 5.5 x 7.5 inches. On heavyweight watercolour paper support, ready to frame under glass.

Reproductions of this painting in different formats or as a greetings card are available here.

Walking Home

Walking Home
© Catherine Redmayne

An imagined subject drawn in charcoal. The cut off elements add to the overall feeling of movement. There is a theme of echoes and a struggle to balance the elements in the picture. As often happens, a painting was done based on the drawing but it didn’t have the same satisfaction for me. Image size 15×11 inches.

Riberaccy

Riberaccy
© Catherine Redmayne

A charcoal drawing bringing together different scenes (with some liberty): a nice church with a bell ringing the Angelus but no services (and showing a fantastic art exhibition), a bent old lady feeding her chickens, neat crops and rolling fields. Image size 19×15 inches.

Waiting at St Sulpice

Waiting at St Sulpice
© Catherine Redmayne

Charcoal drawing developed from a mini sketch done on site. There is our ‘leader’ Gordon a bit peeved everyone is late. There was no way to see the reportedly lovely garden and chateau behind the wall but the village had lots of delights and far-reaching views. Image size 17.5×12.5 inches.

Spring Flood

Spring Flood
© Catherine Redmayne

A painting I’m fond of and have on the screen of one of my ancient laptops. Various children have asked if I painted it and how I did it. Well, you just get some very absorbent paper, drop colours on it, wait for it to dry, drop more colour and repeat! Then, if you haven’t made a hole or got it a horrible colour, you think of a name. Image size 7.5 inches square approximately.

Samarkand

Samarkand
© Catherine Redmayne

This abstract collage was made with papers decorated with monotype. It would be impossible to reproduce any of the patterned papers exactly. The lightweight papers take the colour in unpredictable ways. The scraps have been stuck to heavy watercolour paper with acid-free adhesive. The title reminds me of a book my father owned called The Golden Road to Samarkand by James Elroy Flecker – the name always fascinated me as a child. Image size approximately 10×9 inches.

This is one of the paintings in my print on demand shop.