Life drawing at home!

This Royal Drawing School evening was arranged with the Getty Museum! And participants from all over the world. Here are my drawings:

The last was the life model on the right and from a screen version on the left – the life drawing is the one before.

I guess it is easier to draw from the model when it’s on-screen as it’s 2D already but it does feel different to drawing from a photo somehow.

On a day when my feet were two blocks of ice all day I went to the De La Warr Pavilion at Bexhill to see an exhibition of work by Betty Parsons (1900-1982). I had never heard of her but it’s a nice place and by the sea. There were paintings and assemblages made from ‘acrylic on found wood constructions’. Here are some I liked:

Kandinsky continues

The landscapes are coming. But here is another exercise based on his ’30’:

As the topic for our ATC group for QIV Oct-Dec 2025 is:

‘an all black and white one – it might just be the ticket to end this year’

I have based my set on the ’30’ theme and will upload them when I’ve sent my cards out to the group. To work so small (2.5 inches x 3.5 inches) I made them on the iPad using Procreate. I think I was cross-eyed by the end of the many hours it took, doing one or two at a time.

I went to Tate Modern to see Picasso . The space was rather dark because of the fine line etchings I guess but it made it hard for older eyes to see! Loved seeing The Three Dancers ‘in the flesh’ – it makes such a difference seeing pictures you know from books the real size. It is the dancers’ centenary appearance.

Take out window

Harking back to the days when lockdown was sort of over and cafes were re-opening with measures to avoid people entering the premises! Drinks would appear at a hatch and a voice would yell out a number or what the offering was. Not very friendly but it was better than nothing.

Acrylic on panel. For sale.

Boulder bash

sort of abstract landscape inspired by the Moerake Boulders NZ
Boulder bash
© Catherine Redmayne

One of a series of paintings referring to the amazing Moeraki Boulders in New Zealand. The image is 10×8 inches (25.5×20 cm) painted on paper with a variety of acrylic products.

IX-A He loves me

He loves me!
IX-A He loves me!

A colour piece chosen for the Summer Exhibition at Redleaf Gallery, Tunbridge Wells from 13th June – check the gallery site for times of opening. Image size 8×10 inches (20×25.5 cm).

Stone tree sunrise

Stone tree sunrise © Catherine Redmayne
Stone tree sunrise
© Catherine Redmayne

A collage of decorated papers on a monotype background. I made this when exploring the possibilities of translating a tonal design into collage. Image 8×5.5 inches (20×14 cm).

Available as a print, greeting card or iPhone case here (now with US and UK/European distribution).

Paradise garden

Paradise garden © Catherine Redmayne
Paradise garden
© Catherine Redmayne

A 7 inch square of abstract colour shapes on fragile paper collaged on a background colour field (18×18 cm).

This image is available as a print or greeting card here.

Ladder to nowhere

Ladder to nowhere © Catherine Redmayne
Ladder to nowhere
© Catherine Redmayne

A cheerful abstract pattern made of my decorated papers with additional paintwork. This painting was sold at an exhibition but it is available as a print, greetings card or phone case here.

Size of artwork 7.5×7.5 inches (19×19 cm).

Dreary, bleary Alice

Dreary bleary Alice © Catherine Redmayne
Dreary bleary Alice
© Catherine Redmayne

A small picture which evolved through collage and many layers of paint. The title comes I think from Mervyn Peake’s Letters from a Lost Uncle and always makes me smile. Image 6.75 inches square (17 cm square) on heavyweight watercolour paper.